Production Lighters: How to Set Up a Sequence and Shine
$0.00
Please Login Here to apply for WIA Programs. The Volunteer Program is open to all members. WIA Members at the Creator level may apply to WIA Mentorship programs. Thank you for your support!
Applications for this program will be open soon. Thank you for supporting WIA!
Production Lighters: How to Set Up a Sequence and Shine
Details
APPLICATION GROUP 2
Applications Open:
2/3/25
THIS CIRCLE IS PERFECT FOR
- Entry level or mid lighting/comp artists who want to know more about how to manage a sequence from scratch on a feature film
WHAT TO EXPECT
- Informative breakdown on how a sequence is built in light/compsiting in a studio
- How to artistically handle lighting and compositing for an entire sequence
- Where lighting ends and compositing starts, even if they are often nested, and what things could be handled in comp to save time, and vice versa
- Tips and tricks on how to save time by organizing your work and anticipating problems
- How to be team-friendly by adding sticky notes, explanations, and briefs on your work for your colleagues working with you on the sequence
- An explanation of the different chains of approval
- Which aspects other departments may ask you to handle in lighting or compositing
- Portfolio/reels/personal project feedback
WHAT NOT TO EXPECT
- Software technical questions/demonstrations
- Fundamentals of lighting and compositing (you need to already know the basics of lighting at least, and ideally basics of compositing)
- How to create a reel and what is asked by recruiters
- Resume reviews
Qualification Criteria
Entry Level (1-2 yrs of experience)
Early Career (3-5 yrs of experience)
Day / Time
Times Per Month:Â TwiceÂ
Day / Time:Â Monday at 5:30
Timezone: EST
* You must meet the qualification criteria AND be able to attend the posted day/time of the circle (please note the timezone posted)
CIRCLE DESCRIPTION
Getting your first sequence/shot to light can be intimidating. How do you organize your work? How can you shine as a production lighter? In this circle, we will demystify the production lighting process, discuss how to artistically complete a sequence from scratch in a feature film, and equip you to be organized, creative, and prepared for what might come your way.
Here’s what we’ll cover:
- Color keys – Sequence breakdown
- Director launch and feedback/approval + the different chains of approval
- Lighting master shots
- How artistic decisions can also depend on technical aspects
- How to anticipate problems
- How to handle the child shots
- When and how compositing will help
- And more!
We will also spend time on portfolio/reel reviews and feedback on current personal projects if you have some. I’ll give you tips on what you could improve, and how to recognize where you can improve your work (which can be on professional or personal work).
We won’t do any software demonstrations or answer specific technical questions about software. This will be an artistic circle, but some technical aspects will be involved as well since some artistic decisions have to be made depending on what the project can afford, what is possible with the software, server capacities, etc.
ADDITIONAL Application Requirements
Please submit the following as part of your Application Profile:
*(AFTER you click to apply, you must go into your member profile and complete the member-specific portion; these requirements should be submitted through that profile):Â Â
- Personal statement:
– Why did you apply to this circle specifically and what do you think it will bring you?
– Why did you choose lighting and/or comp as a specialty
Circle Leader
Maud Bourgeais
I’m a senior lighting and compositing artist at Cinesite. After graduating as a CG generalist from ESMA Montpellier, in France, I decided to specialize in lighting and compositing. 10 yers strong in the industry, I’m working in feature films and I’ve worked in TV series, commercials, and short movies as well. My most recently released works are Hit Pig, Iwaju, and Firehearts. Upcoming releases are Animal Farm and Smurfs.
What I enjoy in my work is being able to work on animated movies like a child but I make a living from it. For me, the lighting is giving life to a movie! I love the artistic part of my work which is essential for me to be happy but also the technical aspects (how to optimize, debug, improve). Sharing knowledge, helping each other to grow, and give the best of themselves in a team is something super important.
ADDITIONAL INFORMATION
Current Title: Lighting/Compositing artist
Studio / Employer:Â Cinesite
